[MD] Static latching & faith
Ant McWatt
antmcwatt at hotmail.co.uk
Fri Apr 28 07:49:35 PDT 2006
Scott had said:
Since I corrected myself in the next and all succeeding posts, I thought it
was obvious that when I said undivided I meant to be saying
undifferentiated. Frankly, I dont see much of a difference between the
two terms, but if there is one, let me know.
Ant commented April 24th:
The difficulty with Scott being initially careless with the terminology is
that it was unclear whether he was referring to Northrops aesthetic
continuum (more or less, Dynamic Quality from the Dynamic world of
Buddhas perspective of the MOQ) or the indeterminate aesthetic continuum
(more or less, Dynamic Quality from the static everyday world perspective
of the MOQ).
Scott replied April 24th:
Well, I thought I was referring to what Pirsig referred to in ZAMM:
undifferentiated aesthetic continuum. I cant perceive any practical
difference between undivided aesthetic continuum, undifferentiated
aesthetic continuum, and indeterminate aesthetic continuum. Is there any?
Now here you mention the plain aesthetic continuum. Since that
appears to be something that only Buddhas know about it, I think we can
safely leave it aside in any discussion of what is empirical. That is, if we
include the experience of mystics in the empirical, the word loses all
useful meaning.
Ant comments:
Scott,
The aesthetic continuum is _everything_ that is immediately apprehended. To
remind ourselves: All other concepts by intuition derive from it by
abstraction. By abstraction we mean
the consideration of certain
immediately apprehended factors apart from their immediately apprehended
context
There is:
(a) the field or continuum apart from the differentiations within it or the
definite properties which characterize it, and there are
(b) the differentiations or definite properties apart from the continuum
which runs through them and embraces them.
The former, (a), we shall call the indefinite or undifferentiated aesthetic
continuum,
the latter, (b), since they are many in number, the differentiations.
(Northrop, Logic of the Sciences & Humanities, 1947, p.96)
Northrop then provided an answer to Scotts query for why the
undifferentiated aesthetic continuum isnt taken on faith (or at least as a
non-empirical assumption):
The Concept of the Indefinite or Undifferentiated Aesthetic Continuum [is
the] most difficult of these
concepts for the Westerner to appreciate
because of the influence of Berkeley and Hume. They insisted that all
concepts are concepts by intuition but tended to regard the continuum as
nothing but an aggregation of secondary and tertiary qualities. That this is
false, an examination of what one immediately apprehends will indicate. We
directly inspect not merely the white and the noise but also these in a
field. The field is as immediately given as any specific quality, whether
secondary or tertiary, within it.
Moreover, most of the directly experienced field is vague and indefinite.
Only at what William James termed its center is there specificity and
definiteness. Thus it is evident that the indefinite, indeterminate,
aesthetic continuum is as immediately apprehended as are the specific
differentiations within it. Hence, the concept of the indefinite or
undifferentiated continuum, gained by abstraction from the differentiated
aesthetic continuum, is a concept by intuition, not a concept by postulation
[or non-empirical assumption]. (Northrop, Logic of the Sciences &
Humanities, 1947, p.97)
Scott noted April 23rd:
That which is vague is so just because one isnt focused on it.
Ant commented April 24th:
Again, just like the scientific theory you previously mentioned that seeks
to explain the indeterminate nature of the visual field (i.e. more photons
are processed by the central fovea area of the retinal field) the focusing
of the eye is just another theoretical concept by postulation (if a high
quality one) that would _not_ have arisen if the indeterminate aesthetic
continuum hadnt been observed in the first place.
Scott:
It is hardly a scientific theory to note that if I turn my head I stop
focusing on one thing and start focusing on another, that if I note
something vague in my peripheral vision I can turn my head to focus on it,
making it less vague.
Ant comments:
Agreed, the above is a hardly a scientific theory but _it is still a theory_
and therefore a concept by postulation. Again, it is a concept by
postulation which would not have been thought of in the first place if the
indeterminate component of the aesthetic continuum hadnt been observed in
the first place. You keep missing this important logical point (Dont worry
youre in good company with most Western philosophers such as Dennett).
Ant said:
And, as I mentioned before, even Daniel Dennett (Consciousness Explained,
1991, pp.53-55) confirms Northrops and William James observation, at least
as far as the visual field is concerned:
The visual field seems to naïve reflection to be uniformly detailed and
focused from the center out to the boundaries, but a simple experiment
[moving a playing card from the center to the boundary of the visual field]
shows that this is not so.
Scott also noted April 23rd:
Again, this just indicates that some things are experienced in more detail
than others.
Ant commented April 24th:
Exactly. However, Northrop is making the case that before us Westerners
rush off into Dennetts SOM-land (which is just like Lapland - cold and
largely colourless - but without the joie de vivre, reindeers or Santas
grotto) we should also be aware that many East Asian philosophies give more
significance to the indeterminate aesthetic continuum - possibly with good
reason - than Westerners typically do.
Scott:
But is this indeterminate aesthetic continuum just vague peripheral vision
or is it completely indeterminate: no form whatsoever? It has to be the
latter, or there is no point in even mentioning it as a philosophical big
deal. So I am assuming that what the East Asian philosophies are referring
to is something mystical -- a state of consciousness of complete absence of
form.
Ant comments:
>From what I can gather the indeterminate aesthetic continuum composes not
just vague peripheral vision, but also vague touch (is that pipe really very
hot or very cold), indeterminate sounds whether just very quiet or in the
distance, vague taste (the few seconds to decide you are drinking a high
quality French wine rather than a table wine) and smell (for instance,
deciding between a synthetic lavender or the real plant).
Ant quoted Northrop:
Concepts by intuition are especially and continuously important in the
traditional Orient. This happens because the Far Easterners have tended to
be pure empiricists restricting reality to the immediately apprehended. In
fact, they identify the Divine with the timeless undifferentiated aesthetic
continuum. Consequently, Far Eastern religion is a positivistic, empirical
and, hence, scientifically veridical religion. (Northrop, Logic of the
Sciences & Humanities, 1947, p.100)
Scott:
As I thought: the undifferentiated aesthetic continuum is Divine, which is
to say, it is not part of the experience of everyday, non-mystically
Awakened people.
Ant comments:
I think it would be better to say that _for Northrop_ the Divine is
associated with the undifferentiated component of the aesthetic continuum
(from a static everyday perspective) and _is_ a logical move made by him
because as the Divine is meant to be indeterminate, it cant reside in the
determinate components of experience/the aesthetic continuum.
However, in correspondence, Pirsig has reservations about locating the
Divine (if equated with Dynamic Quality) with the indeterminate aesthetic
continuum. If nothing else, I think this is because it starts sounding like
a definition for DQ. I think Pirsig would relate the Dynamic more to the
aesthetic nature of the immediately apprehended.
From an everyday world Dynamic Quality is like an undefined perfume which
attaches in different ways to the objects of the world. (Pirsig to McWatt,
December 1994)
Everyone can get turned on by the beauty of a sunset if they only become
mindful of their immediate surroundings (which is where the aesthetic
resides in both the determinate and indeterminate).
Some people know that they know it, and other people, particularly Freshman
rhetoric students, dont know that they know it. This is in accord with the
Soto Zen Buddhist doctrine that everyone is enlightened. What occurs at
enlightenment is the falling away of the illusion that one is not
enlightened. But the enlightenment has been there all along. (Pirsig to
McWatt, August 1997)
Scott:
So to base a philosophy on it is to base a philosophy on faith (faith that
the mystics who report such experience are reporting authentically),
Ant comments:
No, the beauty of a sunset isnt anything to do with faith; its just the
way it is (as Elvis would say). Moreover, youre making mysticism sound too
esoteric and mysticism. Nirvana is the here and now.
------ cut the part about bad philosophology------
Ant said:
Scott had then noted (despite stating later in the same post: I have no
experience of an undifferentiated continuum!!!):
>It seems to me that [indeterminate aesthetic continuum] can be replaced by
>the word subject in its intentional sense (not in its Cartesian sense) --
>that which is aware of all objects, including mental objects.
Scott:
No contradiction here. I have no experience *of* the intentional subject. It
cannot be an object of experience. It is postulated (by me) and Realized by
some mystics (e.g., Merrell-Wolff, who calls it Pure Subject, and also calls
that state of consciousness Nirvana), and in his description it sounds just
like a Realization of the undifferentiated aesthetic continuum
(Consciousness of absence of objects is Nirvana, as he puts it in his
aphorisms).
Ant comments:
The intentional subject (in the above context) sounds like a re-introduction
of the traditional theistic Christian God through the back door while the
undifferentiated aesthetic continuum is noted by immediate apprehension.
Northrop might have put more emphasis on its indeterminacy and Pirsig on its
aesthetic nature but its a concept by intuition (part of which needs to be
directly apprehended as in noticing the orange colour in a sunset) not a
concept by postulation (i.e. a theory which is related to concepts by
intuition via hypothesis e.g. the immediately apprehended sunset relates to
a theoretical three-dimensional sphere in public space so many miles away
from the Earth which, of course, is another theoretical concept by
postulation).
Ant had stated April 22nd:
A subject [such as Scotts the intentional subject] is a concept by
postulation (i.e. purely theoretical) and is logically derived at a later
point in Northrops
conceptual train of thought.
Scott replied April 22nd:
How can one conceptually postulate that which has no form? By intentional
subject I mean that which is aware of all objects, including the
objectivized self.
Ant McWatt commented:
Again, this just strikes me as another form of SOM (a subject being aware of
an object).
Scott:
It looks like Ive contradicted myself (since above I said I postulate the
intentional subject). So I retract what I said April 22.
Ant comments:
Scott, youre not just confusing David Buchanan now but yourself! As I
mentioned before, this is why its probably better (for the sake of clarity
if nothing else) to dispense with SOM terminology and the term awareness in
this context.
Scott:
What I mean is that I can say there is a somewhat (called an intentional
subject) which is aware of all objects, in the same way that I can
postulate that since
there is a continual awareness of changing objects, I can postulate that
there is an undifferentiated aesthetic continuum.
What I am getting at is that both of these -- for me and I assume for any
non-mystic -- are just postulations. They are not intuitive experiences,
except for the mystic.
Hence neither is empirical, except for the mystic.
Ant comments:
As I mentioned before, the term intentional subject has so many
traditional SOM connotations thats absolutely no way I would use it in the
context of the Divine.
Regarding the issue about the indeterminate aesthetic continuum being aware.
Again, that _is_ theorising about a component of the immediately
apprehended and therefore a concept by postulation. Hence, my comment above
that it sounds like your re-introducing a theistic god.
Scott continued April 22nd:
It is a pity that Pirsig did not distinguish between the intentional subject
and the Cartesian subject. Only the latter is capable of being
conceptualized. The former bears a strong resemblance to DQ.
Ant McWatt commented:
Well, remember that Pirsig was primarily concerned with understanding the
essential nature of Quality rather than addressing the number of forms that
SOM can take. (I presume he centred on Cartesian SOM as it just happens to
be the most common and well known form in philosophology). Moreover, if
Pirsig had used SOM terminology it would have made it more difficult to
understand the differences between the MOQ and SOM. I dont think awareness
is a great word to use as a central term in a metaphysics either due to the
numerous connotations it has e.g. it can imply that things such as rocks and
atoms have self-consciousness.
Scott:
Perhaps. The problem with the MOQ (one of them) is that Pirsig doesnt say
anything about (choose a word: consciousness, awareness, self-awareness,
etc.).
Ant comments:
Yes, he does though these comments about awareness, consciousness, etc.,
arent necessarily found in ZMM or LILA.
Scott:
That is, he offers nothing with which to discuss philosophical
problems which use these terms.
Ant comments:
Most of these philosophical problems found in the traditional Anglo-American
philosophy department which use these terms are SOM problems. Its nearly
always a incorrect fundamental SOM assumption (such as confusing concepts by
intuition with concepts by postulation) which leads to metaphysical problems
further up the logical track.
Scott:
That is how he could get away with not making the distinction,
Ant comments:
What distinction?
Scott:
but as a consequence there is a good deal of confusion in trying to compare
the MOQ with other philosophies.
Ant comments:
Ill think youll find the confusion in trying to compare the MOQ with
other philosophies is usually with these other philosophies! (Hope I
dont sound too biased!)
Ant had asked April 22nd:
Well, where else do you think the aesthetic resides?
Scott replied:
As far as I can tell *empirically* it might reside in the impressionist
painter, or in the biological SQ of the infant.
Ant commented:
Really? Ill keep this answer in mind the next time I see a sunset or
visit an art gallery. Anyway, I have this infant in front of me. How can I
tell *empirically* whether the aesthetic is in its biological SQ or not?
Scott:
Precisely. We cant tell, empirically. So to claim that the aesthetic is not
just subjective (that is, just a property of people and higher animals
with the requisite nervous systems) is not an empirical claim.
Ant comments:
The idea that the aesthetic is just a property of people and higher animals
with the requisite nervous systems is a concept by postulation and would
not have arisen in the first place if the aesthetic had not been noticed in
immediate experience in the first place.
Scott:
As I see it, the MOQ has adopted it either because Pirsig has had personal
mystical experience (in which case for us to adopt it requires faith in
Pirsig) or because Pirsig has faith in mystics. Either way, for us
non-mystics, the MOQ is based on faith, not empirical data.
Ant comments:
Well, the aesthetic is immediately apprehended whether its manifested in a
sunset, the other parts of the natural world (such as a flower or a tiger)
or in a damn good piece of art. Its part of experience, right here and now
that does not require faith. Im afraid theres too much else I can say
about this issue other than see for yourself.
Best wishes,
Anthony.
www.robertpirsig.org
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