[MD] Tit's

[Margaret Warren]

how can anyone speak authoritatively
about how another person experiences anything?

sorry for butting in - just curious...

saying that michelangelo wasn't limited by
SOM...how can anyone say that? He lived in
a completely different time and place and
is not around for us to question now -

it seems to me that you have experienced something
remarkable about their (these artist's) work and
what you are doing is 'labeling'
or ascribing on them the capability of having a
different way perceiving the world around them...
when we don't really know anything
at all how they saw the world.




> -----Original Message-----
> From: moq_discuss-bounces at lists.moqtalk.org
> [mailto:moq_discuss-bounces at lists.moqtalk.org]On Behalf Of Peter Corteen
> Sent: Wednesday, July 30, 2008 12:32 PM
> To: moq_discuss at moqtalk.org
> Subject: Re: [MD] Tit's
>
>
> Mozart, generally too pleasant for my liking.
> Michelangelo too concerned with the male form.
> Tennyson and Conrad I can't comment but
> Velazquez pope is something extraordinary.
>
> 2008/7/30 Platt Holden <plattholden at gmail.com>
>
> >
> > > Artists are two a penny these days; everyone's getting on that
> > > bandwagon.
> > > Which artists did you have in mind?
> >
> > Painters - Velazquez
> > Composers - Mozart
> > Sculptors - Michelangelo
> > Poets - Tennyson
> > Novelists - Conrad
> >
> > and many other individuals, too numerous to mention.
> >
> > >
> > > 2008/7/30 Platt Holden <plattholden at gmail.com>
> > >
> > > >
> > > > [dmb]
> > > > > I suppose there are at least two kinds of "beings" who are not
> > limited
> > > by
> > > > > SOM; philosophers and mystics. In other words, rejecting
> SOM can be
> > > a
> > > > > matter of thinking it through or it can be rejected on
> the basis of
> > > an
> > > > > experience wherein all dualisms evaporate in favor of unity or the
> > > One. I
> > > >
> > > > Other "beings" not limited by SOM are artists capable of creating a
> > > non-
> > > > dual experience. Unfortunately, such artists are few and
> far between.
> >
> >
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