[MD] Tit's
MarshaV
marshalz at charter.net
Thu Jul 31 09:37:13 PDT 2008
I guess I was suggesting that saying "I'll believe it when I see it." should
not be taken seriously. The mind seems to unconsciously overlay all sort of
patterns on to what the eye's see. I used a photograph as an example,
because I've had first-hand experience using photographs as reference for
paintings.
----- Original Message -----
From: "david buchanan" <dmbuchanan at hotmail.com>
To: <moq_discuss at moqtalk.org>
Sent: Thursday, July 31, 2008 11:11 AM
Subject: Re: [MD] Tit's
>
> dmb said to Krimel:
> I recently learned about an illuminating example of just how powerful
> concepts are in the act of perception. Leonardo da Vinci did his best to
> carefully observe the internal anatomy for a drawing of the same. We're
> talking about an attempt to copy the organs of a corpse onto paper while
> looking directly at the actual corpse. But Leo's medical knowledge came
> down to him, for the most part, from Galen, an ancient physician who was
> wrong about a few things. And these wrong things showed up in da Vinci's
> drawings. He didn't copy what he saw so much as what he knew. The concepts
> he'd inherited altered his perception despite the care he took to see
> clearly. And this is true with all our perceptions. To a degree even
> further than you suggest, we can only see what our concepts allow us to
> see.
>
> Krimel replied:
> Wow, are you trying to tell me that the Great Leonardo was influenced by
> the giants upon whose shoulders he stood? Are you saying that even a
> genius working in the late 1400's got some details wrong? Next you will be
> telling me he was a Christian or perhaps Master of the Priory of Sion.
> ...Perhaps your tale would be bit more impressive if you did your home
> work better. The tale you tell is in the March 2005 issue of Scientific
> American Mind....
>
> dmb says:
> Yes, of course Leo stood on shoulders, as we all do, but that isn't even
> close to what I was "trying" to tell you. And I did not learn about this
> example from any issue of Scientific American Mind. I learned about it by
> way of a site devoted to the work of Sir Ernst Gombrich, a philosopher of
> aesthetics who died in 2001. But let me take a different approach. It was
> Heidegger's phenomenological insight that we never experience the
> so-called sense data of which you make so much. My favorite example is the
> slamming of a door, because it is such a common experience. If one thinks
> about that experience its pretty easy to see that our understanding of
> what it is and what it means is immediate. Depending on the situation, you
> know right away that someone is angry or that the wind is blowing or you
> are immediately startled and perplexed. There is no sense data, no sound
> to ponder and decode. You just have an immediate impression. Later this
> might be altered by subsequent experience.
> The one who just stormed out of the room might be heard to say, "sorry" or
> "ouch" or you might hear a car start up and drive away. But the idea that
> the meaning of this event is to be found in the acoustic waves hitting the
> ear drum is really a rather old-fashioned idea. You'll find such notions
> in David Hume and other Modern philosophers but today we'd call that
> "naive realism". And, as Gav pointed out, you're working with the
> assumptions of SOM when making such points.
>
> And Wow. I like the sassy comebacks and don't mind the insulting little
> jabs, but I think you can do better. You've obviously run off to ask Mr.
> Google and in your mind this constitutes "homework". But dude, this is not
> just weak. Its irrelevant. You haven't even come close to addressing the
> point, which is that conceptions and not sense dat largely determine
> perceptions. This is a point Pirsig makes when he says that SOM doesn't
> acknowledge that there is a social level between "mind" and "matter".
>
> Care to take another crack at it?
>
> P.S. Craig, Steve and Marsha: Sorry but I can't really respond to you
> simply because I don't understand what your responses mean. Feel free to
> try again.
>
>
>
>
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