[MD] Why the quality of the modern world is no good.
plattholden at gmail.com
plattholden at gmail.com
Thu Jun 25 12:46:16 PDT 2009
Hello Ron,
Yes, my idea of beauty is the same as the author's of the essay I
referred to, i.e., a universal, transcendental concept as in Truth,
Goodness and Beauty. The question, "What is beautiful?" is the same
as "What is Quality?"
Platt
On 25 Jun 2009 at 9:24, X Acto wrote:
> Hello Platt,
> You use "beauty" in a rather general and vague way in this context,
> the question raised is "what is beautiful?" if, what Marsha sees as
> beautiful is in agreement with what her culture finds beautiful, then
> it may be said that she builds beauty into her work.
>
> You speak as if you seem to have a definite idea of what beauty is
> and that beauty is a universal truth.
>
> -Ron
>
>
>
>
>
>
>
> ________________________________
> From: "plattholden at gmail.com" <plattholden at gmail.com>
> To: moq_discuss at moqtalk.org
> Sent: Thursday, June 25, 2009 11:44:49 AM
> Subject: Re: [MD] Why the quality of the modern world is no good.
>
> Hi Marsha,
>
> Because the individual working on her motorcycle is influenced by her
> culture. If the culture supports beauty, her work is more likely to be
> beautiful. But, Pirsig is right. Changes in the cultural begin with an
> individual, and someone has to be first.
>
> Platt
>
>
> On 25 Jun 2009 at 10:16, MarshaV wrote:
>
> > Greetings Platt,
> >
> > Why is this concern, making beauty a cultural matter, of interest,
> > when from ZMM:
> >
> > "I think that if we are going to reform the world, and make it a
> > better place to live in, the way to do it is not with talk about
> > relationships of a political nature, which are inevitably dualistic,
> > full of subjects and objects and their relationship to one another;
> > or with programs full of things for other people to do. I think that
> > kind of approach starts it at the end and presumes the end is the
> > beginning. Programs of a political nature are important end products
> > of social quality that can be effective only if the underlying
> > structure of social values is right. The social values are right only
> > if the individual values are right. The place to improve the world is
> > first in one's own heart and head and hands, and then work outward
> > from there. Other people can talk about how to expand the destiny of
> > mankind. I just want to talk about how to fix a motorcycle. I think
> > that what I have to say has more lasting value."
> > (ZMM,Chapter 25)
> >
> >
> > Marsha
> >
>
> > At 08:46 AM 6/25/2009, you wrote:
> > >All:
> > >
> > >In Chapter 22 of Lila, Pirsig laments the lack of quality in modern life:
> > >
> > >"In the time that Phaedrus grew up, intellect was dominant over
> > >society, but the results of the new social looseness weren't turning out as
> > >predicted. Something was wrong. The world was no doubt in better
> > >shape intellectually and technologically but despite that, somehow, the
> > >"quality" of it was not good. There was no way you could say why this
> > >quality was no good. You just felt it."
> > >
> > >An essay by Roger Scruton entitled "Beauty and Desecration"
> > >explains as well as anything I've read "why this quality was no good."
> > >The following excerpt suggests where to look for the answer:
> > >
> > >"But why is beauty a value? It is an ancient view that truth, goodness
> > >and beauty cannot, in the end, conflict. Maybe the degeneration of
> > >beauty into kitsch comes precisely from the postmodern loss of
> > >truthfulness, and with it the loss of moral direction. That is the message
> > >of such early modernists as Eliot, Barber and Stevens, and it is a
> > >message we need to listen to."
> > >
> > >Scruton traces the change in art from a goal of attaining beauty "as a
> > >way in which lasting moral and spiritual values acquire sensuous form"
> > >to art that aimed to "disturb, subvert, or transgress moral certainties."
> > >
> > >Scruton concludes, "We should take a lesson from this kind of
> > >(artistic) desecration: in attempting to show our human ideals are
> > >worthless, it shows itself to be worthless. And when something shows
> > >itself to be worthless, it is time to throw it way."
> > >
> > >Seems to me that is also a message from the MOQ.
> > >
> > >For Scruton's essay, please go to:
> > >
> > >http://www.city-journal.org/2009/19_2_beauty.html
> > >
> > >Regards,
> > >Platt
>
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